Saturday 16 July 2011

Sonisphere Festival: Sunday @ Knebworth. 10/07/11

When a group of us were booking our American holiday in September last year, the main consideration with the choice of dates was to keep open the possibility of attending as many music festivals as possible in 2011. However, as soon as we booked our holiday for June/July this year, Sonisphere Festival promptly announced that they were changing their dates, meaning that we would be unable to attend the full weekend.

We were lucky enough to be able to attend the Sunday, albeit only a matter of hours after we had returned home the previous day, which was some small relief.

Having attended the weekend of the 2010 fesitval, I was keen to arrive early in order to catch the maximum number of bands as experience has told me that often one can unearth little gems of performers this way. Unfortunately, on this day this was not really the case as will be shown below.

First up were Volbeat. Unfortunately, these Danish rockers inexplicably started their set early meaning that although we could hear them on our walk to the car park, we missed the majority of their set. Not the best start to the day.

Next up were a band that most of us were very much looking forward to, Black Tide. Due to the high regard in which we held their debut, and thus far only released, album and their performance at Reading Festival a few years ago, anticipation was high for the Floridian quartet. Launching into an ill advised cover of Metallica’s ‘Hit the Lights’ was perhaps not the best start, the Californian goliaths having started their set in the same way when headlining the Friday. After this, the group bumbled their way through some disappointing offerings from their new album, previously unheard by the crowd it seemed. Frustratingly, they left classic ‘The Warriors of Time’ until last, having previously only played one song from their debut album. This performance left me nonplussed and, to be honest, disappointed. Perhaps the phenomenal promise that the group of 16 year olds that tore down the tent at Reading Festival last year showed has faded into nothing more than mediocrity. Rating: 1/10

Due to the way in which the stages are set up at Sonisphere, there are no clashes between main and second stage bands. This meant that after Black Tide had finished, we were able to wander up to the other end of the arena in time to catch the opening of Arch Enemy’s set. Not knowing too much about this band, I was content to sit and watch from afar. From this set and a couple of listens in Spotify, I think I would enjoy this band more if they had a different vocalist, however, they still played a decent set. From this, we progressed back to the second stage to see House of Pain. ‘Pain’ is in fact a good word to describe this performance. A band ‘painfully’ out of place at Sonisphere, this set was, in a word, awful. Covers of Dr Dre sandwiched in between Arch Enemy and Parkway Drive. No. The first lines of ‘Jump Around’ were met with cheers, but all too soon the crowd got weary with this overrated and overplayed song, preferring to wander away to watch Parkway Drive begin to tear it up on the main stage. Tear it up they did in fact, the Aussie metal-corers were on top form this afternoon and I would definitely recommend one to watch them if they happen to be at the same festival as you in the future.

The next event to take place on this day was a fantastically well respected 2 Minute’s silence in honour of Slipknot’s recently departed bassist, Paul Gray. The silence, and the cheers afterwards showed the high regard with which the entire rock community held Number 2. He is dearly missed by family, band mates and fans alike.

In Flames were given the less than enviable task of following this event. From where we were standing, the sound from the second stage was not great and therefore I was unimpressed with this performance. Mastodon up next, and they were the epitomy of mediocrity today and as such I really cannot be bothered to write any more about them.

Now, up until this point, it is safe to say that I was wondering whether I wasted my money in coming today as I had not really enjoyed any performance from the bands that I hoped that I would have done. However, this was all about to change. Airbourne were next on the second stage, and from the moment they bounded onto stage to the riff of ‘Raise the Flag’, I knew that this was going to be something special. Throwing themselves into an up tempo and exhausting set, the Aussie rockers literally smashed it up. Highlights including ‘Runnin Wild’, ‘Aint No Way But The Hard Way’ and ‘Cheap Wine, Cheaper Women’, were however eclipsed by the antics of frontman and lead guitarist Joel O’Keefe. These antics included smashing beer cans on his head, downing a bottle of wine, and climbing up to the top of the stage, a height of over 100 feet, and standing on top of the stage while playing a guitar solo. The whole performance was completely epic and I cannot wait to see these boys again, maybe at their own gig. Rating: 9/10

Next were fairly mundane performances from Motorhead and Opeth. I was fairly disinterested with both of these sets so therefore cannot really offer much commentary on their performances.

Sub-headlining the main stage this year were the rap-metal goliaths that are Limp Bizkit. Fighting my way through a throng of ‘becapped’ fans I found a fairly good position, just to the right of the stage. Having seen the boys at Reading Festival last year I was very much looking forward to this performance. However, in my honest opinion, the Bizkit set left me unimpressed and ultimately disappointed. While the performance of the songs were decent, and seemed to get the crowd going, it was the incessant pausing and bumbling between songs that ruined this set for this reviewer. All momentum gained from a rousing performance of, for example, Break Stuff, was completely lost as Durst and co played with the audience and talked amongst themselves. I have put up with enough of that kind of crap from bands like Lostprophets before and have grown extremely tired of it. While Durst was probably revelling in the recent resurgence in popularity that the band has received, that kind of performance can only serve to grate on those who are there to see the songs they love. Just smash the granny out the hits with minimal faffing about, you tarts. While my views may not be shared by many who were there, I feel that this review comes from a position of relative objectivity and honesty. Rating: 4/10

Headlining the second stage today was Bill Bailey. I did not catch his set as it was raining and to be honest, I really couldn’t be arsed.

So, on to the day’s headliners. Slipknot were making there only UK festival appearance of the summer with this headlining set, and to say it was highly anticipated would be the mother of all understatements. As the group walked menacingly on stage, there was the unescapable feel in the crowd that things were about to ‘go down’. This was heightened as the opening tones of ‘sic’ blasted out of the speakers, and the crowd went pretty damn crazy. This enthusiasm did not diminish and kept up its heightened level all the way through the performance, which was nothing less than the band deserved.  This was a phenomenal headline set from Iowa’s finest metalors. Full of aggression, energy, feeling and beer kegs, this show had it all. I am not really sure that I could do the performance justice with a blog review so the best way to relive it is to go to Youtube and watch the full set. If you are a fan of this band then this really is a must see. Highlights included: Surfacing, Spit it Out and Duality to name but a few. I sincerely hope that this is not the last the we see of the group in he UK, Corey Taylor hinting earlier that this tour would determine whether the band could continue, but if it is, they have done what any good band should do when calling it a day, left their fans wanting more and more. Rating: 9/10

Saturday 19 March 2011

Gig Review: Rise Against @ Electric Ballroom. 16/03/2011

Although this was the fifth night of their latest European tour, Rise Against chose this performance in North London to be classified as their ‘album launch party’, the widely well received Endgame having been officially released the day before. As a special treat to all their fans, the band had decided to record this show and stream it worldwide via their website, so as Tim stated during the gig, this smallest Rise Against show could also be seen to be their biggest show ever. How fun. In fact, due to the fact that this gig sold out ridiculously quickly, it was a top idea from the boys to make sure nobody missed out. Now I was accompanied to my latest musical outing by a real plethora of characters from both Uni and home, and it was a combination that provided for a very enjoyable, if not perhaps exceedingly banterful, experience. We arrived at the venue a good hour before the band’s stage time so proceeded rapidly to KFC for some much needed nourishment! Once inside the venue, and marvelling at how small it was for a band the size of Rise Against, we had to wait through half an hour of tedious support act before heading into the main hall.

On to the performance itself. Chicago’s finest bounded onto stage and immediately lead the crowd in chants of ‘Rise, Rise’, to which the mass of writhing bodies took to with great fervour. The excitement in the room was unbelievable, I am lucky that my earplugs saved me from the deafening screams from all around me. Without much pause for breath, Rise Against plunged into the depths of their opening song, the classic ‘Chamber the Cartridge’, a fantastic opener due to its slow build up and carnage inducing crescendo. With the last chords of this song drifting off into tinnitus, I had an overwhelming feeling that if the band stuck to their predicted set list, then all hell was about to break loose. Sure enough, as the deafening riff of ‘State of the Union’ blared from the amps, the crowd gave an almighty surge and it definitely ‘kicked off’! Always a good one to get the crowd into the performance, this song has been a staple part of a Rise Against gig for years and in fact has been played second in all three performances that I have been privy to from this Chicago foursome. The band were definitely on top form, as was shown by the massive grins on everybody’s faces, this was truly worth the wait. Next, a mixture of older songs, such as ‘Heaven Knows’ and ‘Like the Angel’ that were new to this fan’s ears. However, it must be said here that although the performance was flawless, the set list lacked diversity in the first half, with the first new song of the latest album appearing as the eighth song of the night. However, this fantastic performance of the BP oil disaster inspired ‘Help is on the Way’ was well received and a sign that this latest album has not disappointed those fans who have waited eagerly for its arrival.

Cue a list of songs from a plethora of albums, including a fantastic performance of ‘Injection’, a personal favourite that saw me expend most of my reserved energy by some frenetic ‘pitting’, which included Owen Lee head butting me! By the time of the predictable ‘acoustic encore’ I was spent, as were most of those in attendance and ‘Swing Life Away’ offered some much needed rest. This flawless acoustic giant was followed by a moving rendition of ‘Hero of War’, always a crowd favourite from the more mainstream ‘Appeal to Reason’ album. With inexplicable energy and impressive clinicism the boys launched into their last three songs, including a proverbial beast from their first, more hardcore punk, album ‘The Unravelling’, called ‘Alive and Well’ that definitely pleased the more hardcore fans. The gig drew to a close with an extended version of ‘Ready to Fall’ and i think it is safe to say that all involved were completely spent.

To be honest, this was not the best Rise Against performance that I have been privy to, that honour goes to their 2009 Brixton Academy show. The set list could have benefited from a few more songs of the new album, especially as this was their album launch show. It was also a bit disappointing that given this was a ‘special’ performance, the band did not deviate from the set lists of their previous shows on this tour. The venue also left a bit to be desired with a band of this size more deserving of a larger, more involved audience. However, overall this was another polished performance from Chicago’s finest punk rockers that definitely had the crowd going home happy, and in some cases covered in bruises. The band surely have a dedicated following here in the UK and I will be very surprised if they are not included in the Reading Festival announcement on Monday evening, either on the Main Stage or, preferably, headlining a tent. We can only wait and see!
Rating: 8/10

Set list:
1. Chamber the Cartridge
2. State of the Union
3. The Good Left Undone
4. Heaven Knows
5. Re-Education (Through Labour)
6. Survive
7. Like the Angel
8. Help is on the Way
9. The Dirt Whispered
10. Injection
11. Prayer of the Refugee
12. Audience of One
13. Architects
14. Savior

Encore
15. Swing Life Away
16. Hero of War
17. Alive and Well
18. Give it All
19. Ready to Fall

Tuesday 15 February 2011

Gig Review: Murderdolls @ HMV Forum. 12/02/2011

My first review of the year, sadly I did not find time for one on the Manic Street Preachers gig I attended in January, is one of a performance by the leading acts in the Glam Rock/Metal/Horror genres: the Murderdolls. Now it is safe to say that I was not eagerly anticipating this gig, knowing that it could be nowhere near as amazing as last year’s show at the Relentless Garage. This feeling of foreboding was also not helped by the prospect of the venue, the much lambasted HMV forum, widely regarded to have poor acoustics and to be about as hot as the sun.

Having been kept waiting outside Kentish Town train station by my co-rockers, Mike Richer, Daniel Lynn and Callum Wilson, we reached the venue at around a quarter past nine. Cue a manic rush to the cloak room and a mazy surge towards the front of the stage. The venue was just as I remember it, hot, crowded, sticky and with a stage too grand for the hall. However, we managed to wind up slap bang in the centre so at least we had good views, apart from  when a 7ft tall beast decided to stand right in front of me.

After the epic classical music subsided, and the countless teenage girls stopped their incessant screaming, the lights went down and the eerie tones of ‘The World According to Revenge’ rang out around the Forum. A good song to set the mood for the evening, the band have made a habit of allowing this menacing track warm up the crowd for their inevitable arrival. Jumping on stage to the opening chords of ‘Chapel of Blood’ it is clear that the Murderdolls intend to bring the Forum to its knees tonight. Wave after wave of enthusiasm and energy pulsate from the stage as frontman Wednesday 13 and rhythm guitarist Joey Jordison lead the mobs of Murderdolls faithful though hit after hit, from both of their albums.

While I enjoyed the performance, I was not feeling the same love for the band that I felt on that cold night last september (find review below), when I was blown away by this Californian quintet. To be honest I began to grow weary of the samey chord progressions as the latter songs of the set began to blur one another. Cue a trip to the bar for a well needed diet coke but this was still not enough to revitalise my love for the band. Maybe it would have been different if I had not seen them at that September gig, who knows? Once the predictable setlist grew to a close, with a performance of ‘I Love to Say F**k’ I have to be honest in that I was glad to be out of the Forum and away from the band. Although there were some enjoyable moments in the set, it was largely disappointing for me. I feel that the venue itself was too big for a band like the Murderdolls, I either see them as playing small venues, as the Garage, or rocking festivals with a cameo performance, as they did at Ozzfest last year. It is safe to say, however, that the longevity of the band in my eyes is considerably waning after this lacklustre performance. Sorry Lynney, but that is my objective view!
Rating: 4/10

Setlist:
1. The World According to Revenge
2. Chapel of Blood
3. Death Valley Superstars
4. Homicide Drive
5. Slit My Wrist
6. Twist My Sister
7. She Was A Teenage Zombie
8. My Dark Place Alone
9. Drug Me To Hell
10. Summertime Suicide
11. Die My Bride
12. People Hate Me
13. Blood Stained Valentine
14. Pieces of You
15. Bad Things
16. Nowhere
17. Welcome to the Strange
18. 197666
19. Motherf**ker I Don’t Care

Encore 1
20. Dawn of the Dead
21. I Take Drugs
22. Dead in Hollywood

Encore 2
23. I Love to Say F**k